Six years ago while listening to the radio, my life changed course in an instant. I’m a textile artist and quilt maker who’s always been passionate about the power of the stitch and its story-telling magic. My 35 years of stitching, teaching and writing all seemed to lead to the moment I heard Stephen Lewis talking about the impact of the HIV/AIDS pandemic. I was galvanized as Lewis, who’d been the United Nations Special Envoy on HIV/AIDS in Africa, explained how the Grandmothers were holding their shattered communities together and caring for many of the estimated 16 million orphans in sub-Saharan Africa. I was born in South Africa and lived there till I was 23 before moving to Canada, so I was deeply moved by the humbling stories of the African Grandmothers and by Lewis’ passionate commitment to social and economic justice for women.
Before he had finished talking, I’d formulated a plan; I’d start importing and retailing handmade textiles from women artists in South Africa. And so African Threads was born. My simple goal was to create economic flow to the women artisans as directly as possible using fair trade principles. In addition, 15% of the profits would be donated to the Grandmothers to Grandmothers Campaign.
Quilting friends in South Africa connected me to stitchery groups and, since then, battered boxes festooned with exotic stamps regularly arrive at my rural Nova Scotia post office, all the way from South Africa.
Unpacking these boxes, I’m consistently moved by the vibrant colors, beautiful hand-stitching and rich narrative of the pieces. Each one-of-a-kind embroidered or appliquéd piece is a story from the maker’s life: perhaps a legend, historical event, cultural ceremony or simply daily chores. Sometimes the tapestries are profoundly touching, featuring images of AIDS clinics, grannies caring for children, women working the fields. My heart skipped a beat when I saw this little piece by Moela who lives in a sprawling, desperately poor Township near Johannesburg, South Africa. Most of the houses there are cobbled together with corrugated iron, cardboard and plastic. Moela’s tender image shows someone caring for a sick person. But look closely: the image shows the caretaker is a child. The embroidered words say: It is useful for caregivers to care enough to help children. This image speaks volumes about a new phenomenon that has spread in Africa: households headed by children. These are the children not lucky enough to have a Grandmother to turn to when their parents succumb to AIDS.
These beautifully stitched stories are a testament to human dignity. Moela is just one of hundreds of women in the sewing groups I connect with through African Threads. The groups are a vital social support network as well as the sole source of income for the embroiderers, all of whom are single mothers and grandmothers, many of them supporting up to 12 people with their work.
It’s well known that economic empowerment is the most effective way to help women in Africa. It ripples out into the community. Women with control over their income educate their children, feed their extended families and help neighbors. And it’s a powerful self-esteem booster. Women don’t want charity; they want an income.
Two years ago I went back to South Africa and spent six weeks visiting stitchery groups. I delivered bags of embroidery threads, gifts from women in Canada – a symbolic gesture of solidarity and connection. Talking to the women about their families and their work gave me deep empathy for their lives. I learned that their stitched cloths not only tell their stories, they also heal them. African Threads currently works with nine women’s groups with products including Zulu beaded necklaces, embroidered home décor items, ceremonial dolls, telephone wire baskets and embroidered tapestries.
I’ve learned so much about the women’s lives through their stitchery. The tapestries are important social records of an evolving society, telling of traditions colliding with contemporary life, the impact of polygamy and women’s rights. Yet, amazingly in spite of so much hardship, the tapestries are exuberant celebrations of African life. They are the voices of incredibly strong women, and represent the reason this amazing place is known as Mama Africa.
Barbara says
you are awesome, this is what I would love to do. I work with caregivers of children in CA, and they are our unsung heros who have stepped up to provide love, home and stability to children whose families are in crisis. Only wish I were more creative in my approach. Thanks for all you do.
Kay says
You are truly an inspiration, Valerie. So many people just wish they could do something to help but you are actually doing it. Congratulations to you and those amazing African grandmothers.
Valerie Hearder says
Thanks Kay and Barbara for your encouragement – I really do love what I do.
Judy Guffey says
Wonderful story….and photo brought me back to our life in South Africa (1981 to 1985)….as I type this I can look at the Ndbele wedding skirt I brought home….I treasure it and have it whee I can see it each time I sit at the computer.
Margaret Price says
What a wonderful story, which proves the power of women.
Dominica says
Val. It is always wonderful to hear more of your stories.
juanita sauve says
I have always admired for Stephen Lewis too for his work with HIV/AIDS. Good for you for being motivated into action and helping the women to become independent and support their families while creating beautiful things.